New video discussing some aspects of Astrotheology for Life

New video discussing some aspects of Astrotheology for Life

Here's a video I made discussing some of the concepts found in my new book, Astrotheology for Life.

I hope it's helpful for explaining some of the reasons I had for writing this particular book in this particular way.

You can find most of the previous videos I've made on related subjects in the "Videos" section of the Star Myth World website. You can also "subscribe" on YouTube if you want to be alerted immediately when a new video is published (although new videos will also be posted to the blog, usually within twenty-four hours of being published online somewhere).

Please feel free to leave feedback on videos or to pass them along to friends or family as appropriate, and also to let me know if there's a way to make them more helpful in any way.

Introducing Astrotheology for Life

Introducing Astrotheology for Life

I'm very pleased to announce the arrival of my latest book, Astrotheology for Life: Unlocking the Esoteric Wisdom of Ancient Myth.

You can see sample content by visiting the "Books" section of my main website, Star Myth World (dot com). 

This book aims to explore the system of celestial metaphor upon which virtually all of the world's ancient myths, scriptures and sacred stories are founded -- a concept sometimes referred to as "astrotheology" -- and also to explore how their ancient wisdom applies to our lives today. I am convinced that in order to begin to understand their message, it is important to approach the myths in the language that they are speaking.

To that end, I have arranged the discussions in Astrotheology for Life by "myth-pattern" (sometimes referred to as "oicotype"). As most of those who have studied myths from around the world soon begin to realize, certain themes or patterns can be found in myths from cultures which are widely separated from one another on our planet (and indeed separated from one another, apparently, by time as well). Some of these myth patterns which are explored in some detail in the book include:

  • The baby cast adrift in the water -- typically in a river and sometimes in the sea
  • The crossing of a Great Flood, one of the most prevalent patterns in ancient myth
  • Stories involving a woman or a goddess who must be made to smile, or who smiles and then denies it
  • The retrieval of the beloved from the realm of the dead, usually an unsuccessful retrieval (such as we find in the story of Orpheus and Eurydice, a pattern which is extremely widespread)
  • And stories involving a "failed baptism," in which a baby is dipped in fire or in water intended to make the child immortal or invulnerable to weapons, but the outcome of which is typically unsuccessful.

By looking at patterns of myth, and then discussing the likely celestial analogues upon which these specific stories are built, as well as the possible esoteric messages which the stories in these myth-patterns may be intended to convey, the hope is that the reader will begin to develop "pattern recognition" in the exploration of ancient myth, so that you can approach them for yourself, directly.

The book also discusses the probability that the presence of these worldwide patterns in the myths may point to the existence of an extremely ancient culture of great spiritual sophistication, predating all known civilizations under the conventional academic paradigm, and completely upending that paradigm of ancient human history.

The book is entitled Astrotheology for Life because I am quite convinced that the ancient myths and their profound wisdom have direct applications for our lives today. 

And not only for our individual lives: I am also convinced that many of the grave problems we face in the world today are a direct result of being "cut off" from the ancient wisdom which was entrusted to all humanity in the form of the ancient myths. Reconnecting with this ancient wisdom may be vital in making choices that will result in life for future generations.

For this book, I developed a new way of displaying the star-charts in black and white, so that they will be highly visible and helpful, and also so that the cost of the book can be kept down (color images cost more money to produce in a book). Astrotheology for Life contains over fifty illustrations and labeled star-charts along with clear and systematic explanation showing how the ancient myths and myth-patterns are built on the cycles of the heavens, and how to interpret their message for yourself.

I hope that the message inside will be a blessing to you in some way.

 

 

 

 

 

The Twins in the west

The Twins in the west

As the moon continues to grow (wax) towards full moon (which occurs on May 10), its increasing light will make star-gazing and constellation-identifying more challenging. However, at present the moon is moving into the constellation of Leo the Lion and is roughly adjacent to the two "twin-stars" of Gemini -- Castor and Pollux -- making it very easy to identify them in the sky.

The star-chart above (which was made using the excellent open-source planetarium app Stellarium, available at stellarium.org), shows the sky on the night of May 3rd from the position of an observer in the northern hemisphere at about 35 north latitude. The direction of observation is towards the south and west, and in order to locate the Twins of Gemini you will want to direct your attention to the western horizon, where the two stars of Castor and Pollux will be fairly high in the sky and roughly equivalent in height above the western horizon.

In the diagram above, note that the western horizon is "wrapping" upwards towards the right which is why the "right-hand" head of the twins, Castor, appears slightly higher -- but that "wrapping" effect is there in order to indicate that this part of the horizon would be "wrapping" around you to the right, if  you were actually outside, and that you would thus have to turn slightly to your right if facing south, in order to face west. As you turned right, the horizon would be level in real life, and the "twin-stars" of Gemini would be roughly even in height relative to the western horizon.

You should have little difficulty locating the brightest stars of Gemini, Castor and Pollux. The brighter of the two, towards the east or left in the diagrams, is Pollux, while Castor is slightly dimmer (it is on the right or west). Below is a zoomed-in diagram of the section of the western sky containing the Twins:

Depending on the darkness of the sky in your area (and it will become more and more challenging as the moon waxes towards full, but then as it wanes again it will become easier) you may be able to make out the rest of the upright figures of the two Twins. They form two "parallel lines" coming down from the bright stars of their two heads, and their hands appear to be joined.

The stars marked with red arrows in the above diagram will be easiest to see, even as the moon becomes brighter and brighter. To the east (left in the diagram) and slightly below the twin-stars of Gemini will be the bright star Procyon, in Canis Minor (the "Little Dog"). To the west (right in the diagram) and also slightly below the level of Castor and Pollux will be the stars of Auriga the Charioteer. The brightest three stars of this constellation form a triangle and are marked by red arrows in the diagram above. The brightest star of Auriga is Capella -- forming the "eye" of the Charioteer's head, as envisioned in the constellation-outlining system of H. A. Rey.

As discussed in this previous post on the mythological traditions associated with the Twins, in many cultures there are myths in which one of a pair of mythological Twins is mortal, while the other is immortal. In the myth of Castor and Pollux (or Castor and Polydeuces), Castor is mortal while Polydeuces is immortal. 

This aspect of the myth, which carries an important esoteric message, can help you to remember which star (and which Twin) is which in the night sky. The star of the immortal Twin (Pollux) is brighter. Additionally, there is a trail of stars descending from the foot of the mortal twin (Castor) -- as if perhaps representing chains with which Castor is bound in the underworld. The motif of the Twins, of course, helps us to understand our own condition here in this incarnate life -- in which we are "bound" or "chained" within the realm of matter (the "lower realm" or the underworld), but in which we have access to our own "divine twin," as described in so many ancient myths around the world (see for instance the discussion in this previous post). 

There is a sacred story from the Tewa-speaking language groups of the Pueblo Native Americans, in which a young couple, just married, are so in love that they neglect all other duties among their people -- until the young woman suddenly becomes ill and dies. The young man, distraught, refuses to let her go -- and the story continues with the adventures of the living husband and undead bride until eventually the two are turned into the stars of Castor and Pollux, to chase each other forever across the sky. This story, and its numerous other celestial references, is discussed in more detail in Star Myths of the World, Volume One -- and I believe that it depicts very much the same truths about our incarnate condition contained in the myth of Castor and Pollux and in other similar "Gemini-related" Star Myths found in cultures around the world.

The bright stars that mark the heads of the heavenly Twins of the constellation Gemini were sometimes described in ancient myth as flames of fire which came down to rest above the heads of Castor and Polydeuces. In particular, during the Voyage of the Argonauts (in which Castor and Polydeuces participated, according to some ancient sources), there was a mighty storm with ferocious winds, but Orpheus -- who had been initiated into the mysteria of Samothrake or Samothrace -- offered prayers to the Great Gods of those mysteries (who also appear to have been associated with the Twins), and immediately the wind died down, and at the same time two flames descended over the heads of the Twin brothers on the ship, to the wonderment of all the others. 

The parallels between this ancient myth -- recorded by the historian Diodorus Siculus during the time period between about 60 BC and 30 BC -- and the events of Pentecost described in the text of the book of Acts in the New Testament of the Bible are unmistakable, as discussed in this post from 2015 which connects some of the aspects of Gemini with the traditions associated with the ancient feasts celebrated seven weeks after Passover and Easter.

All of these ancient myths, I believe, have important truths to convey to us, for our benefit in this incarnate life -- in which we ourselves have a "higher self" and a "lower self," and in which we ourselves can be said to be "cast adrift" upon a dangerous ocean (the "lower element" of water being a frequent mythological description of the material world, as opposed to the spiritual realm which is more closely associated with the "upper elements" of air and fire).

These ancient truths can come home to us in a personal way as we gaze upon the impressive sight of the constellation of Gemini standing in the western skies in the hours after sunset.

I hope that if it is possible for you to do so, you can take in the light from these stars in person, and further explore the many important teachings preserved in the myths surrounding the Twins. 

Yoga Sundial

Yoga Sundial

image: Wikimedia commons (link).

image: Wikimedia commons (link).

During the months on the "upper half" of the annual cycle, I like to try to do my morning Sun Salutations outdoors, towards the direction of the rising sun.

Because I live in the northern hemisphere, these are the months between the March equinox and the September equinox, when hours of daylight are longer than hours of darkness, and when it is generally warmer outside than it is during the months on the "lower half" of the annual cycle. Even during the lower half of the year, I like to try to do my Sun Salutations outdoors if possible, on occasion and weather permitting, but as days get longer and warmer during the upper half of the year it is especially enjoyable to take advantage of those conditions and practice outdoors if at all possible.

Doing your Sun Salutations outdoors has numerous benefits. If the sun is already above the horizon, you can close your eyes as and feel the sun on your face and see its warm glow through your eyelids. Additionally, if you orient yourself and your Yoga mat towards the sun each morning, you will be able to follow its daily motion as it rises further and further north (during the "upward" progress from winter solstice up to summer solstice) or further and further south (after summer solstice, when the sun turns around and rises further and further south on its way "down" to the winter solstice).

In this way, you will actually become a sort of human gnomon or menhir, and will gain a good first-hand feel for the sun's annual motion along the horizon. Here's a link to a postfrom the early days of this blog which discusses this principle as part of an examination of the concept of "cross-quarter days" (one of which is coming up soon!) -- and here's a link to one more early post which contains a little sketch I made showing the same concept from a slightly different angle.

If the sun is already up in the sky and casting shadows, then you can easily align yourself in the direction of the sun by seeing that the shadows made by your arms and legs as you do your salutations are going "straight back" and not off at an angle from the point your hands or feet are touching the mat.

Below is a composite image showing my Yoga mat as it moves through the year, pointing towards the sunrise in the east:

compass rose: Wikimedia commons (link).

compass rose: Wikimedia commons (link).

The top of the image is pretty much due east, and thus north is towards the left and south towards the right. At present, my mat is oriented as shown in the top image in the composite, facing towards "north of east" -- but not too long ago (prior to the March equinox) it was oriented as shown for "south of east." As most readers already know, the sun's rising-point moves back and forth along the eastern horizon between a northernmost point (reached at the June solstice) and a southernmost point (reached at the December solstice), passing through the "due east" rising point twice each year at the equinoxes (once on its way north, in March, and once on its way back south, in September).

By lining up your Sun Salutations to face the sun each morning, you will be aligning yourself with this annual motion as well! 

Note that we already do many things that correspond to the cycles of the heavens, often without even thinking about it. For instance, most of us take our sleep during the hours that our side of the earth is turned away from the sun, thus aligning our waking and our sleeping hours with the sun's progress across the sky or (figuratively speaking) "under the earth." Most of us observe our own birthdays, and the birthdays of our friends and family, which is a way of noting when the earth in its annual motion around the sun has returned to the same relationship it had on the day upon which we (or our friend or family member) was born. And there are many other examples, of course, that most of us can come up with, once we begin to consider the subject.

If you read translations of some of the ancient Sanskrit texts, including the great epics of the Mahabharata and the Ramayana, you will see that the characters in those stories perform morning rituals at the sun's rising each day.

Additionally, there are passages in the Pyramid Texts which describe the gods giving their salutations to Ra. In Utterance 579, for instance, the text at one point says: "They praise thee; they come to thee with salutations, as they do homage to Re, as they come to him with salutations" (1952 translation by Samuel A. B. Mercer).

For more on the Yoga Sun Salutations, see this previous post (linked in the first line, above, as well). 

For those in the northern hemisphere, where the days are getting longer and warmer as we head towards our summer months, I hope that you can have the opportunity to do some Sun Salutations outside, oriented towards the sunrise, if at all possible!

I like to chant every day

I like to chant every day

I'm not sure who this person is (in the above video), but he likes to chant every day.

You don't have to have ideal surroundings in order to benefit from chanting.

Obviously, if you happened to live among the incredible ruins of Rajavihara (Ta Promh) at Angkor, you would probably not be self-conscious about chanting mantras every day.

But, just because the modern world is often covered with uninspiring architecture doesn't mean you cannot create vibrations around you as if you were at Ta Promh.

The chant in the above video is discussed in this previous blog post. As mentioned in that blog post, the sloka is repeated four times, beginning with the sacred syllable OM each time, and concludes with the repetition of the word "Shanti" three times (also preceded by the sacred syllable at the beginning of the three).

A technique for keeping track of the four repeated slokas using the thumb and fingers of one hand is illustrated. The thumb and index finger form a circle on the first sloka, then the thumb and middle finger for the second sloka, then the thumb and ring finger for the third sloka, and then back to the thumb and middle finger for the fourth and final sloka, so that you don't lose track of how many you have chanted.

Previous posts discussing the benefits of chanting and singing every day include:

and

There are many places where the power of the sacred syllable OM is discussed. A previous post which touches on this subject can be found here.

While, like me, you may not live among beautiful structures such as those found at Angkor in Cambodia (I've never even been there), I believe we can make our temple wherever we happen to find ourselves on this planet.

The beautiful and important constellation Coma Berenices

The beautiful and important constellation Coma Berenices

Right now is one of the best times of year to go out at night and try to locate the challenging but extremely beautiful and mythologically-important constellation known as Coma Berenices, or "Berenice's Hair."

The constellation is located just beyond the "outstretched arm" of the constellation Virgo, which is currently sailing across the heavens during the prime viewing hours after sunset and through midnight and beyond -- and when Virgo and hence Coma Berenices are near the highest point on their arc across the sky, they are farthest from the "ground haze" of light and dust and thicker layers of atmosphere that lingers near the horizon, and thus your best opportunities for observing Coma Berenices come when Coma is high in the sky.

Additionally, because Coma is such a challenging constellation to see, finding Coma Berenices is much more difficult (and often impossible) if the moon is anywhere in the sky. As we are now approaching the point of new moon (which will take place on April 26), the best times to try to find Coma Berenices will be up to the point of new moon, as well as the first few nights after new moon (but wait until the new waxing crescent has set -- it will be following the sun very closely for the first few nights after new moon).

The best way to locate Coma Berenices is to get away from any city lights, driving out to the country if possible. Once you know where to find this elusive constellation and have seen it in the heavens for yourself, you actually can find it on a dark night from within the "city limits" of a small town or suburban location, but only if you get away from any street lights and only if the constellation is high in the heavens and no moon is present.

Coma Berenices is made up of very faint stars, but (somewhat akin to the Beehive Cluster), you can almost "sense" it in the heavens when you are looking in the right place, and like the Beehive it does consist of a dazzling cloud of tiny stars, although covering a larger area than does the Beehive Cluster. Berenice's Hair is also not very far from the Beehive in the night sky -- you can see them both at this time of year. The Beehive travels ahead of the mouth of Leo the Lion, and the constellation Virgo (who is reaching up towards Berenice's Hair) follows behind Leo.

Below is a star chart showing the location of Coma Berenices, above the outstretched arm of Virgo and in front of the Herdsman, Bootes.  Bootes is fairly close to the Big Dipper -- his brightest star Arcturus is orange, and can be found by following an "arcing" line from the handle of the Dipper (the old saying says "Follow the 'arc' to Arcturus"):

The easiest way for me to locate Coma Berenices is to follow the line of the upward-reaching arm of the constellation Virgo. Virgo is particularly easy to locate right now, because the jovial planet Jupiter is presently traveling through the constellation. Jupiter is the brightest object in the night sky right now, until Venus rises in the early morning hours ahead of the sun. Of course, when the moon is up, it is brighter than both Venus and Jupiter.

If you follow the outstretched arm of Virgo, you will come immediately to the "handle" of Coma Berenices, which stretches upwards along roughly the same line as Virgo's arm (upwards, that is, for viewers in the northern hemisphere). To the right (or west) of this vertical "handle" you will see the shimmering cloud of stars which make up the "hair" of Berenice.

Here is how groundbreaking author H. A. Rey describes Berenice's Hair in his book, The Stars: A New Way to See Them --

Small and very faint. Contains a group of dim stars, visible only on clear, moonless nights when the constellation is high up. Shown here as a few strands of hair fluttering from a stick between the star Cor Caroli and the Virgin's outstretched arm. 

This constellation owes its name to a theft: Berenice was an Egyptian queen (3rd century BC) who sacrificed her hair to thank Venus for a victory her husband had won in a war. The hair was stolen from the temple but the priests in charge convinced the disconsolate queen that Zeus himself had taken the locks and put them in the sky as a constellation.

Of all our constellations, Berenice's Hair is the one farthest from the Milky Way [I believe he here means, "in terms of its location in the sky," as opposed to "farthest in terms of actual distance in space"]. With the queen's hair overhead you don't see the Milky Way: it [meaning "the Milky Way"] then runs along the horizon, blotted out by the atmosphere near the ground. Thus no hair can ever get into the milk, celestially speaking. Best time: April through August. 36. 

While it may be true that the constellation's present name stretches back to the name of the historical Egyptian queen Berenice (during the Ptolemaic period), the constellation figures prominently in myths around the world, sometimes involving the theft of the hair of a goddess (such as the myth of the theft of the hair of the goddess Sif, in Norse mythology), by which we can know with a great degree of certainty that this constellation and its mythological associations are much older than the 3rd century BC. 

Anyone who reads Star Myths of the World, Volume One will find that Coma Berenices plays an important role in myths found around the globe, including in myths from the Maya, from the cultures of the Pacific Islands, and from the Menri people of the Malay Peninsula. That volume also discusses an aspect of the Isis and Osiris myth from ancient Egypt which also involves Coma Berenices. I would argue that the mythological connotations associated with this particular constellation are so similar in so many different parts of the globe that they constitute more evidence for the possibility that the world's ancient myths may descend from some now-forgotten, extremely ancient common source, one which predates even ancient Egypt and ancient Mesopotamia by thousands of years.

Before we take a look at a few ways in which Coma Berenices appears in myth, let's look at the constellation itself. Below is a "close-up view" of the stars of Coma Berenices as they appear in the sky. The cloud of stars which gives the constellation its name can be seen near the top of the image, about three-quarters of the way across the rectangle:

Below is the exact same screen-shot of the region of the sky containing Coma Berenices, but this time the outlines of the constellation are drawn in and labeled, along with portions of the outlines of the nearby constellations of Virgo and Bootes:

Following the outlining convention suggested by H. A. Rey in his book, four "lines" have been drawn from the top of the "handle" towards the cloud of stars to the right (or west) -- but, as you may be able to see from the diagram, there are actually a lot more stars hovering in the region of the end of these four lines (to the right of the right end of each line, as you look at the image). These stars make the constellation quite beautiful, and extremely satisfying to gaze upon, if you are able to locate it.

Once you have successfully located the constellation under ideal conditions, you may be able to dimly perceive it even from locations that do not have the most ideal sky-viewing conditions, if you know where to look and what you are looking for. However, you will still need a pretty dark night, with no moon, clear skies, and Virgo high in the sky.

From the above images, you will be able to understand that, although the ancient myths do indeed incorporate Coma Berenices as a lock of hair that has been cut off (usually from a figure played by the constellation Virgo -- including Sif from Norse mythology, Isis from ancient Egypt, and the mother of Maui in the Pacific Islands), the constellation Coma will also appear in ancient myth as a torch, a whip, a bunch of flowers, or even as a "feather-duster" or "whisk" of sorts (usually of peacock-feathers).

Many goddesses associated with Virgo the Virgin are depicted in ancient myth and ancient artwork as carrying a torch, which I believe to be associated with Coma Berenices in most or all cases. For example, below is a piece of pottery featuring red-figure artwork, unearthed in the ancient city of Vulci along the northern coast of Italy (Vulci was an important Etruscan culture center in ancient times). In it, we see a goddess who is usually identified as Kore, the Maiden (a name for the goddess Persephone), in the act of sending forth Triptolemus to spread good agricultural seeds and farming practices around the world:

image: Wikimedia commons (link).

image: Wikimedia commons (link).

Note that the goddess is holding what appears to be a long torch with some flickering flames turning upwards at the tip (which is pointed downwards in the image). The torch would not really seem to be an integral part of the scene -- it seems to be a little out of place, in fact. I would argue that it is a celestial detail, and that the goddess is associated with the torch because of the relative locations of Virgo and Coma Berenices in the actual night sky.

Note also that the goddess is sending Triptolemus forth in a chariot drawn by winged serpents, which she has loaned him for the task. I believe it is possible that the inspiration for the winged serpents comes from the constellation Hydra in the sky, which is a long serpentine constellation located underneath Virgo and which is also very visible at this time of year (and somewhat easier to see than Coma Berenices). Below is a star chart showing Virgo and Leo, with Hydra stretching beneath them (the head of Hydra is actually "ahead of" or even further west than the front of Leo the Lion, even though Virgo is  "behind" or further east than Leo in the sky):

Note in the above star-chart that the constellation of Crater the Cup, on the back of the serpentine figure of Hydra, could well be envisioned as the "wings" of the winged serpent in this particular instance. Note also that the figure of Virgo in the sky can be envisioned as being "seated" upon a throne or a chariot. Figures associated with Virgo are often depicted as riding on the backs of lions, or in chariots or carts drawn by lions, no doubt due to Virgo's proximity to Leo in the heavens. However, because Hydra is also adjacent to Virgo, sometimes the goddess also has access to a chariot pulled by winged serpents, as in the story of Triptolemus.There are literally hundreds of other myths which feature the constellation Coma Berenices which we could explore -- but what has been discussed already should be enough to establish the fact that Coma is an extremely important constellation in the world's ancient Star Myths. This fact makes finding Coma Berenices in the night sky all the more thrilling, in my opinion. On top of that, however, finding Coma Berenices is an exciting challenge, and once you are able to locate it, the constellation itself is also extremely beautiful, even if faint.

For all these reasons, I hope that you will have an opportunity to try to observe Coma Berenices in the night sky over the next few nights -- and the next few months -- if it is at all possible for you to do so. 

image: Wikimedia commons (link).

image: Wikimedia commons (link).

Earth Day, 2017: the choices of Midas and Solomon

Earth Day, 2017: the choices of Midas and Solomon

image: Wikimedia commons (link).

image: Wikimedia commons (link).

The egregiously bad judgment exhibited by King Midas is legendary.

Offered any gift he wanted by the god Dionysus, Midas chose riches. Specifically, he chose -- famously and foolishly -- to have anything he touched turn to gold. The results were, of course, devastating and life-destroying. 

He soon regretted his awful choice, and the gods were merciful to him and provided a way for his foolishness to be undone.

It would seem that no one could possibly be as foolish as Midas. His tale is practically laughable. Midas is a rather unsympathetic character, because we all smugly assume that we could never make choices that would be as stupid as the choices of King Midas.

However, looking soberly at the world in which we find ourselves on Earth Day 2017, we might want to think again before we complacently congratulate ourselves that our judgment, at least, is not so tragically foolish as that of the mythical king.

And, we should be very clear that the conditions we see in the world today are indeed a function of choices. There is a very well-known line of argument which declares that there simply is no possible alternative -- that things are the way they are today because the way we have structured the world is the only possible way that it will work. 

This line of argument, of course, is primarily advanced by those who benefit from the structures in place and who don't want to see them changed -- therefore, they argue that no change is even possible, and any alternative would either fail entirely or else be drastically worse than the current state of affairs. 

But, as the ancient myths tell us, King Midas had a choice. He chose stupidly, and his choice if left un-changed would have led to his own death by starvation or thirst (as everything he consumed turned to metal as it crossed his lips and entered his throat) and to the destruction of the next generations (as he famously turned his daughter into a lifeless golden statue). But he did have a choice. 

Other similar myths involving choices did not turn out so badly. For example, Solomon was similarly offered the granting of a single request, and chose wisdom -- specifically, wisdom in order to help the people, if you look closely at the actual text in the book of 1 Kings chapter 3. When he made that request, the text tells us that God was pleased, and specifically contrasted Solomon's choice with other possible choices, including riches or power over his enemies. Solomon in that ancient text chose rightly, in contrast to the bad judgment of King Midas.

There is an alternative -- but the world we have today has been shaped by choices of Midas-like bad judgment. 

Professor Claudia von Werlhof, of the University of Innsbruck, gave a presentation in 2005 which was later turned into an essay and published in 2008, and given the title in English: "Globalization and Neoliberal Policies: Are there Alternatives to Plundering the Earth, Making War and Destroying the Planet?" It was recently re-published on Global Research at the link given here.

In that article, Professor von Werlhof explains that neoliberalism -- a system with which we are all at least unconsciously familiar, since we are living in it, but about which we should all become much more familiar if we want to avoid the fate of King Midas -- was consciously implemented on a widespread scale in leading economies such as the United States, Great Britain, and (later) the European Union beginning in the 1980s, but that it had been carefully planned-for in advance and tested out in South American countries beginning with the violent US-backed coup in Chile in 1973. 

It's not that there was no alternative or no possible "other choice" -- but rather that neoliberalism was deliberately and systematically selected and implemented as a conscious choice by those hoping to benefit from its implementation.

Other professors have noted that the roots of what is known today as neoliberalism go back even further -- especially to economic thought that arose during the 1930s, as explained by Professor Linda Cooper from the University of Sydney in a recent interview on This is Hell! radio (an example of  the kind of independent media that has always been marginalized to some degree but that is now coming under increasing pressure, and that you may want to consider supporting if possible).

In Professor von Werlhof's essay, she explains that neoliberalism is based upon a deliberate decision to choose values such as:

self-interest and individualism; segregation of ethical principals and economic affairs, in other words: a process of 'de-bedding' economy from society; economic rationality as a mere cost-benefit calculation and profit maximization; competition as the essential driving force for growth and progress; specialization and the replacement of a subsistence economy with profit-oriented trade ('comparative cost advantage'); and the proscription of public (state) interference with market forces. [quoting her colleague Maria Mies -- see the extended list of works cited at the bottom of Professor von Werlhof's essay].

In his new book J is for Junk Economics (discussed in this previous post), Professor Michael Hudson  adds some additional insights to the definition of neoliberalism, defining it (in part) as:

An ideology to absolve banks, landlords and monopolists from accusations of predatory behavior. 

[ . .  . ] 

Turning the tables on classical political economy, rentier interests act as plaintiffs against public regulation and taxation of their economic rents in contrast to Adam Smith and other classical liberals, today's neoliberals want to deregulate monopoly income and free markets for rent seeking, as well as replacing progressive income taxation and taxes on land and banking with a value-added tax (VAT) on consumers.

Endorsing an oligarchic role of government to protect property and financial fortunes, neoliberalism loads the economy with an exponential growth of debt while depicting it in a way that avoids recognizing the rising rentier overhead (rent, interest and insurance) paid to the FIRE sector. Neoliberals want to privatize public infrastructure. They defend this granitization by depicting public ownership and regulation and less efficient than control by financial managers, despite their notorious short-termism. 167 - 168.

The result is a world of which King Midas (before his change of heart) might have been proud.

As Professor von Werlhof explains, the results of neoliberalism turn everyone and everything into commodities -- which is exactly what Midas (blinded by his lust for riches) was in the process of doing. She writes:

Today, everything on earth is turned into commodities, i.e. everything becomes an object of "trade" and commercialization (which truly means "liquidation": the transformation of all into liquid money). In its neoliberal stage it is not enough for capitalism to globally pursue less cost-intensive and preferably "wageless" commodity production. The objective is to transform everyone and everything into commodities (Wallerstein 1979), including life itself. We are racing blindly towards the violent and absolute conclusion of this "mode of production," namely total capitalization / liquidation by "monetization" (Genth 2006).

She cites numerous examples. Perhaps the most visually-powerful involve the privatization of water. "In Nicaragua," she notes, "there exist water privatization plans that include fines of up to ten months' salary if one was to hand a bucket of water to a thirsty neighbor who cannot afford her own water connection (Sudwind 2003)." And, equally awful to contemplate:

In India, whole rivers have been sold. Stories tell of women who came to the river banks with buffalos, children and their laundry, as they had done for generations, only to be called "water thieves" and chased away by the police. There are even plans to sell the "holy mother Ganges" (Shiva 2003).

This story is extremely telling -- because it shows how the use of force is inextricably connected to the implementation of neoliberalism (just as it was during its first big modern "test run" in Chile in 1973). Neoliberalism and the perpetual wars that are being waged by the most economically-developed countries on the planet (against people in the least-developed) are closely related, as Professor von Werlhof explains.

The reason violence is required for its implementation, beyond the obvious fact that it involves the taking of public resources for a smaller private group of beneficiaries, is that neoliberalism is inherently contrary to nature -- both to human nature and to Nature in general. In another visceral description, Professor von Werlhof describes its ultimate end, if left unchecked:

One thing remains generally overlooked: The abstract wealth created for accumulation implies the destruction of nature as concrete wealth. The result is a "hole in the ground" (Galtung), and next to it a garbage dump with used commodities, outdated machinery, and money without value.

Once again, however, we should remind ourselves that this outcome is not a necessaryoutcome. The path of Midas is a choice, and one that the ancient wisdom of the world tells us is a terrible choice and a choice to be avoided. The ancient myths provide an example of a different choice, in the choice of Solomon, who did not choose riches but rather wisdom in order to judge rightly and help the people. Midas did not judge rightly. He chose gold over life itself.

To undo his choice, Midas turned to the gods for mercy, and was granted the ability to un-do his decision. Professor von Werlhof explains that neoliberalism also involves making the wrong choices on very much the same moral level (choosing the wrong gods, so to speak). She writes that, 

We are not only witnessing perpetual praise of the market -- we are witnessing what can be described as "market fundamentalism." People believe in the market as if it was a god.

And, it is true that massive amounts of propaganda-like reinforcement are employed in developed countries such as the US to inculcate just such a quasi-religious "market fundamentalism" which declares that any alternative to neoliberalism as defined above is not only mistaken but actually morally pernicious.

Clearly, this is not merely an "economic" issue but in fact a spiritual one.

Later, Professor von Werlhof expands on the spiritual aspect of this question, saying:

We have to establish a new economy and a new technology; a new relationship with nature; a new relationship between men and women that will finally be defined by mutual respect; a new relationship between the generations that reaches even further than to the "seventh"; and a new political understanding based on egalitarianism and the acknowledgment of the dignity of each individual. But even once we have achieved all this, we will still need to establish an appropriate "spirituality" with regard to the earth (Werlhof 2007 c). The dominant religions cannot help us here. They have failed miserably.

I would argue that she is absolutely correct -- but that the ancient wisdom of the world as given in the myths and sacred traditions found in virtually every single culture on the planet, including the ancient cultures of Europe and the Mediterranean, did not fail miserably: but they have in some cases been hijacked and turned on their heads.

We need to think very carefully about the choice of Midas, because not only have we demonstrated that we are not "above" making the same kind of foolish choices that he displays in the ancient myths -- and in fact, as Professor von Werlhof so eloquently demonstrates in her essay, we have made those very same choices and are rapidly in the process of turning the world into lifeless gold (or perhaps plastic).

The ancient myths, however, are not about fantastic actions made by kings or heroes in the distant past (as Alvin Boyd Kuhn explains, in a lecture cited many times on this blog). Solomon was not some external figure who was gifted with wisdom that we can never hope to access ourselves, and Midas was not some external figure who was filled with foolishness beyond any other human being. We ourselves are always capable of accessing the wisdom of the Infinite (like Solomon) or of foolishly ignoring the goodness of the gods (like Midas). 

And we are also capable, like Midas, of turning to the divine realm and saying we have made a very foolish choice, and asking for help in un-doing it.

Before the world ends up as one giant hole in the ground, and next to it a garbage dump.

image: Wikimedia commons (link).

image: Wikimedia commons (link).